Happy Thanksgiving to all my fellow music lovers. Today is a special day for Brad’s Music Room. That is because we celebrate the fifth anniversary of this blog. Since the site was launched you have read over 430 posts and left almost 1,000 comments. I am humbled and thankful for you, my readers and loyal subscribers. It’s your encouragement and feedback that keep this blog alive.
Most of you will eat a meal today prepared by a special loved one. Perhaps that is you. Because of their/your under-appreciated, sacrificial service, I chose a song Linda played for me this week. It seems to capture everything I want to say to you today.
And join me Sunday as I begin my annual “History of Christmas Music” series.
I watched an excellent documentary on Netflix this week about folk music in the mid-1960s. This music laid the groundwork for the transformation of folk music from acoustic to electric. Although I was only nine years old at the time, I soon became an ardent follower of these musicians.
Echo In The Canyon celebrates the popular music that came out of L.A.’s Laurel Canyon neighborhood in the mid-60s.The Byrds, The Beach Boys, Buffalo Springfield, and The Mamas and the Papas cemented the California Sound. It was a moment (1965 to 1967) when bands came to L.A. to emulate The Beatles. They would put an indelible stamp on the history of American popular music. The film contains candid conversations and performances with the era’s various musicians. Host Jakob Dylan talks with slightly younger followers Jackson Browne and Tom Petty (in his last film interview). In addition, he interviews contemporary musicians such as Beck, Fiona Apple, Cat Power, Regina Spektor, and Norah Jones. Eric Clapton describes how George Harrison used chord structures from a Beach Boys song when writing Tomorrow Never Knows.
Mom and dad had a console stereo in the living room of our first house in Springfield. It had an adapter that would let you play a stack of 45 RPM records. What a luxury in 1965. I remember listening to California Dreamin’ while playing paper football on the living room table. So what are some of your favorite memories of these musicians?
Día de los Muertos, or Day of the Dead, is a celebration of life and death. While the holiday originated in Mexico, people celebrate this holiday all over Latin America with colorful calaveras (skulls) and calacas (skeletons). Learn how the Day of the Dead started and the traditions that make it unique.
Aztec, Toltec, and other Nahua people considered mourning the dead disrespectful. For these pre-Hispanic cultures, death was a natural phase in life’s long continuum. The dead were still members of the community, kept alive in memory and spirit. During Día de los Muertos, they temporarily returned to Earth. Today’s Día de los Muertos celebration is a mash-up of pre-Hispanic religious rites and Christian feasts. It takes place on November 1 and 2 (All Saints’ Day and All Souls’ Day on the Catholic calendar).
Altars (ofrendas)
Photo by Eneas de Troya
People place a collection of objects on a ritual display during the Día de los Muertos celebration. An ofrenda is usually created for an individual person who has died and is intended to welcome them to the altar setting. Also, it may be quite large and elaborate. Marigolds are the main flowers used to decorate the altar.
A common format for an ofrenda contains three levels or tiers.
The topmost tier identifies the dead person who is being invited to the altar. It frequently includes photos of the deceased, statuettes of the Virgin Mary, crucifixes, etc.
The second tier contains things placed to encourage the dead to feel at home. The deceased person’s favorite food items might go here. For deceased adults, the ofrenda might include a bottle or poured shot glasses of tequila or mezcal. A favorite toy is common if the deceased is a child.
The bottom-most tier almost always contains lit candles, so that the spirit of the deceased can see and refresh themselves upon arrival at the altar. It might also have a washbasin, mirror, soap, and a towel.
Calavera means “skull.” But during the late 18th and early 19th centuries, calavera was used to describe short, humorous poems. They were often sarcastic tombstone epitaphs published in newspapers that poked fun at the living. These literary calaveras eventually became a popular part of Día de los Muertos celebrations. Today the practice is alive and well. You’ll find these clever, biting poems in print, read aloud, and broadcast on television and radio programs.
Food of the dead
You work up a mighty hunger and thirst traveling from the spirit world back to the realm of the living. At least that’s the traditional belief in Mexico. Some families place their dead loved one’s favorite meal on the altar.
Pan de muerto, or bread of the dead, is a typical sweet bread (pan dulce). It often features anise seeds and comes decorated with bones and skulls made from dough. The bones might be arranged in a circle, as in the circle of life. Tiny dough teardrops symbolize sorrow.
Sugar skulls are part of a sugar art tradition brought by 17th-century Italian missionaries. Pressed in molds and decorated with crystalline colors, they come in all sizes and levels of complexity.
Costumes
Day of the Dead is an extremely social holiday that spills into streets and public squares at all hours of the day and night. Dressing up as skeletons is part of the fun. People of all ages have their faces artfully painted to resemble skulls, and, mimicking the calavera Catrina, they don suits and fancy dresses. Many revelers wear shells or other noisemakers to amp up the excitement—and also possibly to rouse the dead and keep them close during the fun.
Happy Thanksgiving to all my fellow music lovers. Today is a special day for Brad’s Music Room. That is because we celebrate the fifth anniversary of this blog. Since the site was launched you have read over 430 posts and left almost 1,000 comments. I am humbled and thankful for you, my readers and loyal subscribers. It’s your encouragement and feedback that keep this blog alive. 
