Super Bowl LI

GettyImages-89546511-EFrom Brad’s Music Room Almanac comes today’s post. This year marks the 50th anniversary of the first Super Bowl. On January 15, 1967, the Green Bay Packers defeated the Kansas City Chiefs 35-10 to win the first Super Bowl. As the Patriots and Falcons prepare to take the field for Super Bowl LI, read about some of the ways in which the hastily arranged first Super Bowl differed from today’s modern-day sporting spectacle.

In June 1966, the venerable National Football League (NFL) signed an agreement to merge with the upstart, seven-year-old American Football League (AFL) after the completion of the 1969 season. In the interim, the two rival leagues agreed to stage an annual season-ending contest between their respective champions.

AFL principal founder and Kansas City Chiefs owner, Lamar Hunt suggested that the new championship game be known as the “Super Bowl,” an idea inspired by the ultra-bouncy Super Ball toy from Wham-O—producers of the Frisbee and Hula Hoop—that was popular with his kids and millions of others across America, in the 1960s.

It may be hard to believe today, but the first Super Bowl was not a sellout—far from it. Official attendance in the cavernous, 94,000-seat Los Angeles Memorial Coliseum failed to top 62,000. Many fans complained about the high ticket prices, which topped out at $12, while others were simply not interested.

There were no big-time musical acts or wardrobe malfunctions at the Super Bowl’s first halftime show. No Beatles, no Rolling Stones, not even the Monkees. Instead, the Anaheim High School drill team joined marching bands from the University of Arizona and Grambling College high-stepping across the field. Two rocket men from Bell Aerosystems, with jet packs filled with hydrogen peroxide, launched themselves 100 feet into the air before landing on the 50-yard line. The halftime festivities peaked with the release of 10,000 helium-filled balloons and hundreds of pigeons.

For more interesting facts about the first Super Bowl click here.

The number one song in January 1967 was “I’m a Believer”, a song composed by Neil Diamond and recorded by The Monkees in 1966 with the lead vocals by Micky Dolenz. The single, produced by Jeff Barry, hit the number one spot on the U.S. Billboard Hot 100 chart for the week ending December 31, 1966 and remained there for seven weeks, becoming the last No. 1 hit of 1966 and the biggest-selling record for all of 1967.

Posted in Almanac | 4 Comments

Coming Soon!

rathbone-watson-bwBeginning in February  l will feature posts on several new topics.

These include (but are not limited to):

  • From the Vault
  • History of Christian Music
  • Brad’s Music Room Almanac
  • Inspiring Secular Music
  • My Spiritual Journey

Back by popular demand will be an occasional post from the topics “Meet My Beatles” and “Brad and Bert’s Excellent Adventure”. The timing and topic of each post will be a mystery so be sure to sign up and check back often. Your comments and feedback are always welcome and appreciated.

Brad

Posted in General | 3 Comments

Silent Night. The History of a Famous Carol

Silent nightChristmas Eve 1818.  In 1818, the carol “Stille Nacht! Heilige Nacht” was heard for the first time in a village church in Oberndorf, Austria. The congregation at that Midnight Mass in St. Nicholas Church listened as the voices of the assistant pastor, Father Joseph Mohr, and the choir director, Franz Xaver Gruber, rang through the church to the accompaniment of Father Mohr’s guitar. On each of the six verses, the choir repeated the last two lines in four-part harmony. On that Christmas Eve, a song was born that would wing its way into the hearts of people throughout the world. Now translated into hundreds of languages, it is sung by untold millions every December from small chapels in the Andes to great cathedrals in Antwerp and Rome.

Though meant for a performance in a church, “Silent Night” was composed for guitar. That is rather unusual for those days. Joseph Mohr’s guitar still can be seen at Hallein’s Franz Gruber Museum.

Today books, films and Internet sites are filled with fanciful tales purporting to tell the history of “Silent Night.” Some tell of mice eating the bellows of the organ, creating the necessity for a hymn to be accompanied by a guitar. Others claim that Joseph Mohr was forced to write the words to a new carol, in haste, since the organ would not play. A recent film, created for Austrian television places Oberndorf in the Alps and includes evil railroad barons and a double-dealing priest, while a recent book by a German author places a zither in the hands of Franz Gruber and connects Joseph Mohr with a tragic fire engulfing the city of Salzburg. You can read claims that “Silent Night” was sung on Christmas Eve in 1818 and then forgotten by its creators. Of course, the latter are easily discounted by manuscript arrangements of the carol by both Mohr and Gruber which were produced at various times between 1820 and 1855. In this age of tabloid journalism, it’s not surprising that some feel it necessary to invent frivolous anecdotes and create fables for a story that is quite beautiful in its simplicity.

mohrFather Joseph Mohr. A young priest in Mariapfarr. The German words for the original six stanzas of the carol we know as “Silent Night” were written by Joseph Mohr in 1816, when he was a young priest assigned to a pilgrimage church in Mariapfarr, Austria. His grandfather lived nearby, and it is easy to imagine that he could have come up with the words while walking through the countryside on a visit to his elderly relative. The fact is, we have no idea if any particular event inspired Joseph Mohr to pen his poetic version of the birth of the Christ child. The world is fortunate, however, that he didn’t leave it behind when he was transferred to Oberndorf the following year (1817).

gruberFranz Gruber. On December 24, 1818 Joseph Mohr journeyed to the home of musician-schoolteacher Franz Gruber who lived in an apartment over the schoolhouse in nearby Arnsdorf. He showed his friend the poem and asked him to add a melody and guitar accompaniment so that it could be sung at Midnight Mass. His reason for wanting the new carol is unknown. Some speculate that the organ would not work; others feel that the assistant pastor, who dearly loved guitar music, merely wanted a new carol for Christmas.

via Silent Night. The history of a famous carol.


This will be my final post on the topic of Christmas music. I wish all of you a very Merry Christmas and a happy New Year.

Brad

Posted in Christmas | 6 Comments