O Tannenbaum

403px-F_Krüger_VorweihnachtDuring the fourth century the practice of bringing evergreen trees indoors during the dark days of winter spread across Europe. In medieval Germany, the increase in Christianity gave rise to a new tradition.  Germans began decorating the trees with apples to represent the garden of Eden. “Paradise trees” were soon decorated with additional food items like nuts and sugar wafers.

As Germans immigrated to other parts of the world they took their Christmas tree tradition with them.  in 1848 Queen Victoria encouraged her German husband, Prince Albert to decorate a tree like those he had in his childhood. This Victorian tree, decorated with sweets, ornaments and candles was featured in the Illustrated London News.  Suddenly, people in England and the United States created increasingly elaborate trees in an attempt to outdo one another. German artisans began crafting delicate glass ornaments and in 1882 Edward Johnson, an associate of Thomas Edison created the first strand of Christmas tree lights.  This year over 100 million Christmas trees will be on display worldwide.  For more details see History of Christmas Trees – Christmas – HISTORY.com.

The music for O Tannenbaum is from a 16th century German folk song.  There are multiple versions of lyrics with this tune and rather then select one I thought I would just play a very familiar instrumental version today.  This selection is from A Charlie Brown Christmas which is celebrating his 50th anniversary this year.  Now when you hear this song, or see a Christmas tree think of the Germans and Queen Victoria, and thank them for this centerpiece of our Christmas traditions.

 

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Christmas Carols on the Ballet Stage

 

The Nutcnutcrackerracker is a two-act ballet, originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (op. 71). The libretto is adapted from E.T.A. Hoffmann’s story The Nutcracker and the Mouse King. It was given its première at the Mariinsky Theatre in St. Petersburg on Sunday, December 18, 1892, on a double-bill with Tchaikovsky’s opera, Iolanta.

Although the original production was not a success, the twenty-minute suite that Tchaikovsky extracted from the ballet was. However, the complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in the U.S. Major American ballet companies generate around 40 percent of their annual ticket revenues from performances of The Nutcracker.

via The Nutcracker – Wikipedia, the free encyclopedia.

Those of you with daughters are probably intimately familiar with this piece, as am I. Maybe it even brings back fond memories of your days as a ballerina.

 

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Beethoven’s Christmas Contribution

 

399px-Beethoven

Ode To Joy is the final movement of Beethoven’s Ninth and last Symphony. The German composer was increasingly aware of his declining health and spent seven years working on this symphony, starting the work in 1818 and finishing early in 1824. The symphony is one of the best known works of the Western classical repertoire and is considered one of Beethoven’s masterpieces.

At the time it was a novel idea to use a chorus and solo voices in a symphony, which is why it’s also called the “Choral” symphony. Beethoven, in fact, had serious misgivings about portraying the music’s message with actual words. Even after the premiere, he apparently came very close to replacing all the vocal lines with instrumental ones.

The words, which are sung by four vocal soloists and a chorus, emanate a strong belief in mankind. They were taken from a poem written by German writer Friedrich Schiller in 1785 and revised in 1803, with additions made by Beethoven.

Beethoven was completely deaf when he embarked on this masterpiece, and it’s a tragedy that he never heard a single note of it except inside his head. At the end of the symphony’s first performance the German composer, who had been directing the piece and was consequently facing the orchestra, had to be turned around by the contralto Caroline Unger so that he could see the audience’s ecstatic reaction. Beethoven had been unaware of the tumultuous roars of applause behind him.

via Ode To Joy by Ludwig Van Beethoven Songfacts.

I think Joy is a pretty good word to describe the people in this video.

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